Upcoming Film

I Like it Here

Showing: Wednesday, November 6, 8:00 PM at The Nyack Center
Title: I Like it Here
Year: 2022
Country: USA

Genre: Documenary
Director: Ralph Arlyck

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Advance ticket sales end at 5:00pm on November 6. Addition tickets will be sold when doors open at 7:30.

Ralph Arlyck, a figurehead of American independent documentary, contemplates aging, mortality, and finding contentment in the present while looking back on his life and career.

People talk or laugh about aging, its irritations and relentless progression, but rarely confront the reality of dying or being left alone. Nor do they consider the lightness and calmness that can come when the race seems not so crucial. I LIKE IT HERE is about all those things and, finally, about the pleasures of being alive. A leading figure of American independent documentary film, Ralph Arlyck conveys how it feels to look back on your own life, to contemplate your place in an ever-changing world, and what to make of the time that remains. USA, 2023, 88 minutes.

Stay for a discussion with the filmmaker, Ralph Arlyck, after the screening.

Community Partner: Congregation Sons of Israel, Program on Aging: Living and Dying Well.

“I Like It Here is part memoir, part personal essay on aging and mortality, part portrait of his community and home in the Hudson Valley. There’s no plot, per se. But I’ve seen the movie twice, and both times I found myself moved near tears… He’s doing precisely what great memoirists do: invite us into their stories as a way of making space for us to reflect on our own.” – The New York Times

“Striking a sweet, almost humerous tone, Arlyck navigates aging gracefully with a keen awareness of how parent-child relationships morph as time proceedes. With a simple and direct approach, narrated by Arlyck – who early on asks ‘so what’ as the film makes sense of the loose threads that equal a life – I Like it Here is a beautiful meditation on mortality.” – Film Stage.

“In Ralph Arlyck’s I Like It Here – his first film in 18 years – the U.S. documentary filmmaker reflects on his life while spending time with neighbors, friends, colleagues, children and grandchildren, and at the same time making peace with the physical and emotional obstacles of growing old, and pondering on the serenity and fulfilment that come with entering one’s final years.” – Variety

“An American documentarian for more than 50 years, Ralph Arlyck, at age 82, has created one of his most personal films. A clear-eyed meditation on the reality and surprising beauties of aging, I Like It Here finds the filmmaker reflecting on his life with discursive wit and composure while spending time with friends and lovers, neighbors and colleagues, children and grandchildren.” – The Film Society of Lincoln Center

ABOUT THE DIRECTOR, RALPH ARLYCK

Director/Producer Ralph Arlyck’s film work includes Current Events, which was selected as Best Documentary at the Atlanta Film Festival and aired on PBS and the BBC; An Acquired Taste, regarded as a classic of the personal-essay genre; and the much-acclaimed Godzilla Meets Mona Lisa, a whimsical tour of Paris’ Pompidou Center. His films have screened at Sundance, the New York and London Film Festivals, the Prix Italia and other gatherings. Arlyck has been a prominent advocate for American independent producers, twice testifying before Congress and once before the Carnegie Commission on the importance of independent filmmakers to public television’s mission. He writes on production issues for several media journals. A former member of the board of INPUT, the international public television showcase, Arlyck is a long-standing participant in the distribution cooperative New Day Films.

Arlyck received a bachelor’s degree in English from Colgate University and a master of science from the Columbia University Graduate School of Journalism. He lives in Poughkeepsie, New York, with his wife, Elisabeth, who teaches at Vassar College. He has taught film production at Vassar, the State University of New York (SUNY) Buffalo and SUNY Purchase. He grew up in Suffern, New York.

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“A film that could have settled for being a masterclass in technique, but instead goes deeper, exploring questions of artistry, authorship, legacy.” NPR

“Had The Christophers just been a cross-generational punch-up, the sort of flinty showdown designed to throw off pleasurable sparks, you’d still walk away content. It remains a conduit for two of the best performances you’ll see all year.” – David Fear, Rolling Stone

“The Christophers is largely a comedy, but it’s also about all that we gain and lose with age, and about how we sometimes need young people to bring us back to ourselves.” – Stephanie Zacharek, TIME

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“Go see The Christophers. Show up, and support a tiny, talky experiment that has no relationship to IP or sequels or box-office projection. It’s not a perfect movie, but it’s also never, as Lori grudgingly notes about Julian’s work, uninteresting. And in this cultural moment, that’s an authentic win.” – Elizabeth Weitzman, Time Out

The Christophers is a work of criticism that deftly distinguishes different approaches to criticism.” ­– Justin Chang, The New Yorker 

“Brims with hilarious dialogue, lightly satirical observations of a culture that treats art as a commodity, and satisfying payoffs to a number of story elements planted early on.” – Seth Katz, Slant Magazine

“In the end, this film about artists becomes a work of art in its own right. The more you look at it, the more its many components reveal themselves to you.” – Chase Hutchinson, The Wrap

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“It bats about ideas pertaining to art, commerce, ownership and legacy with dexterous aplomb and boasts two equally superb leads who make the material crackle.” – David Rooney, The Hollywood Reporter

“The Christophers is a talky, at times incredibly funny, comedy drama with plot reversals that make it feel like it’s on the verge of a thriller. It doesn’t end up there, at least not strictly, but it’s unpredictable enough to never make us entirely sure just where it’s heading.” – Benjamin Lee, Guardian

“There’s no room for anything shy of genius in The Christophers, a crackling original drama about artistic legacy in all its facets, directed by Steven Soderbergh , from a script by Ed Solomon (No Sudden Move) and starring two top-notch English actors of wildly different backgrounds and styles, Ian McKellen and Michaela Coel, at the top of their respective games.” – Peter Debruge, Variety

“With Ian McKellen in superbly crotchety form and Michaela Coel exuding chilly cunning, it’s further proof that Soderbergh remains one of American Cinema’s most inimitable, and adventurous, auteurs. – Nick Schager, The Daily Beast

 

Thank you to our funders

Rivertown Film is made possible by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature.

Corporate Sponsorship is provided by the following:

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