“After the Revolution, who’s going to pick up the garbage on Monday morning?” challenged Mierle Laderman Ukeles. Crashing the boundary between art and action, in 1977 she became the first artist-in-residence at NYC’s Department of Sanitation, collaborating with municipal workers to inject art directly into the city’s bloodstream.

Maintenance Artist is the first feature documentary about this revolutionary public artist. Ukeles, inspired by Marcel Duchamp, pioneered the notion that routine maintenance – from changing diapers to picking up city trash to caring for the earth – could be acts of performance art. With never-before-seen archival footage, Maintenance Artists tells a story of essential workers and radical contemporary art set during the social and artistic upheavals of the last half century. Penetrating, provocative, funny, and deeply moving, Maintenance Artist fills a glaring cultural gap and heralds Ukeles’ call for a Maintenance Revolution.

Meet the Filmmaker: the director, Toby Perl Freilich, will discuss her film with Nyack Public Arts Advisory Committee member Kris Burns.

Community Partners: Village of Nyack, Nyack Public Arts Advisory Committee, Edward Hopper House Museum and Study Center, Garner Arts Center

Toby Perl Feilich co-produced and co-directed MOYNIHAN, an L.A. Times Critic’s Pick, which was broadcast on American Masters in 2024, and directed, produced, and wrote the critically acclaimed INVENTING OUR LIFE: The Kibbutz Experiment. She co-produced and wrote SECRET LIVES: Hidden Children & Their Rescuers, for which she received an Emmy nomination for her writing, and co- produced Emmy-nominated RESISTANCE: Untold Stories of Jewish Partisans. She is a contributing writer to the magazines Tablet, The Jewish Review of Books, and The Forward, where she was awarded a 2007 Simon Rockower journalism Award.

As well as Chair of the Village of Nyack Public Arts Advisory Committee, Kristina Burns is the Event Director at Garner Historic District, Interim Program Director of GARNER Arts Center, and Creative Director of GARNER 25th Annual Arts Festival (May 16 and 17). She was the founding Director of Rivertown Film Society.

“A film that could have settled for being a masterclass in technique, but instead goes deeper, exploring questions of artistry, authorship, legacy.” NPR

“Had The Christophers just been a cross-generational punch-up, the sort of flinty showdown designed to throw off pleasurable sparks, you’d still walk away content. It remains a conduit for two of the best performances you’ll see all year.” – David Fear, Rolling Stone

“The Christophers is largely a comedy, but it’s also about all that we gain and lose with age, and about how we sometimes need young people to bring us back to ourselves.” – Stephanie Zacharek, TIME

“Having lost the inspiration that guided him to greatness, Julian is an artist who can no longer paint, and Lori is an artist who has lost all confidence in there being a place for her work in the larger world. For all the undercurrents about fame, commodification, and reputation that flow through The Christophers, at its core is a more plaintive lament about what it feels like to love something that doesn’t love you back.” – Alison Willmore, Vulture

“Go see The Christophers. Show up, and support a tiny, talky experiment that has no relationship to IP or sequels or box-office projection. It’s not a perfect movie, but it’s also never, as Lori grudgingly notes about Julian’s work, uninteresting. And in this cultural moment, that’s an authentic win.” – Elizabeth Weitzman, Time Out

“The Christophers is a work of criticism that deftly distinguishes different approaches to criticism.” ­– Justin Chang, The New Yorker 

“Brims with hilarious dialogue, lightly satirical observations of a culture that treats art as a commodity, and satisfying payoffs to a number of story elements planted early on.” – Seth Katz, Slant Magazine

“In the end, this film about artists becomes a work of art in its own right. The more you look at it, the more its many components reveal themselves to you.” – Chase Hutchinson, The Wrap

“Ian McKellen plays Julian Sklar, a sardonic art legend who meets his intellectual match in frank preservationist Lori Butler (Michaela Coel). In a test of wits and wills held mostly in a single-setting, Soderbergh pushes both characters to return to their former passions through philosophical conversations that reflect his own career.” – Robert Daniels, Screen International

“It bats about ideas pertaining to art, commerce, ownership and legacy with dexterous aplomb and boasts two equally superb leads who make the material crackle.” – David Rooney, The Hollywood Reporter

“The Christophers is a talky, at times incredibly funny, comedy drama with plot reversals that make it feel like it’s on the verge of a thriller. It doesn’t end up there, at least not strictly, but it’s unpredictable enough to never make us entirely sure just where it’s heading.” – Benjamin Lee, Guardian

“There’s no room for anything shy of genius in The Christophers, a crackling original drama about artistic legacy in all its facets, directed by Steven Soderbergh , from a script by Ed Solomon (No Sudden Move) and starring two top-notch English actors of wildly different backgrounds and styles, Ian McKellen and Michaela Coel, at the top of their respective games.” – Peter Debruge, Variety

“With Ian McKellen in superbly crotchety form and Michaela Coel exuding chilly cunning, it’s further proof that Soderbergh remains one of American Cinema’s most inimitable, and adventurous, auteurs. – Nick Schager, The Daily Beast