Upcoming Film

The River of the Dog

Directed by Carlos Gómez de la Espriella
Produced by Belén Orsini
Venezuela, 2024, 70 minutes, documentary, in Spanish with English subtitles

 

Wednesday, October 22
8:00pm at The Nyack Center

View Trailer

 

Online ticket sales end at 5:00 pm. Additional tickets will be sold starting at the door at 7:30.

 

Discussion with director Carlos Gómez de la Espriella by Zoom and producer Belén Orsini via Zoom in person, moderated by Oscar Barretto-Gonzalez, Ph.D, professor at St. Thomas Aquinas College.

Presented with The Global Film Series at the Justice Studies Institute of St. Thomas Aquinas College, honoring Hispanic/Latinx Heritage Month.

 

River of the Dog (2024), by Carlos Gómez de la Espriella, is a poetic journey into the heart of Venezuela’s central plains in the state of Guárico, where the Espino community struggles to live in harmony with, and often against, the forces of nature. Opening with words from Venezuelan poet Eugenio Montejo, the film captures a landscape where life depends on cycles of rain and drought, and where rural families -ranchers, farmers, and laborers- face the loss of basic services and the constant unpredictability of their environment. With little dialogue or narration, the documentary unfolds as a meditation on resilience, ancestry, and the fragile balance between humans and the natural world.

Far removed from the political headlines usually associated with Venezuela today, director Gómez de la Espriella introduces audiences to an isolated community where the presence of the state is almost absent and where modernization has yet to arrive. Here, past and present coexist: traditions echo the lives of ancestral peoples who once crossed these plains, even as villagers adapt to contemporary hardships.

River of the Dog is more than a conventional documentary, it is a poetic experience, revealing the Venezuelan tropic as an “absolute”: not only a place we inhabit, but a force that inhabits and determines us.

Director’s Statement
“It was a privilege to live in the Plains, among plainsmen and an immense natural space. Sharing what I was able to record during this time is a new privilege. Cinema here becomes a life diary: a fallen bridge, a plainsman struggling with his cows, a dog hunting an armadillo. Paradise and hell coexist, and the only possible thing is to observe and share them. The River of the Dog is my way of resisting oblivion.” (Carlos Gómez de la Espriella)

About the Director
Carlos Gómez de la Espriella has a Bachelor’s Degree in Audiovisual Media with a Master’s Degree in Ethnology (ULA, Venezuela). With over 20 years of experience, his films focus on the rural and peasant world. He has directed Las Advertencias de Mandú (2005), Vegueros (2009), and Llanerías (2016). The River of the Dog is his third feature film.

About the Producer
Belén Orsini studied film in New York, with a master’s degree in screenwriting and theater training at the Juana Sujo school (Caracas). She has produced and directed works such as Metralleta (2007) and Verde Salvaje (2014).

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“A film that could have settled for being a masterclass in technique, but instead goes deeper, exploring questions of artistry, authorship, legacy.” NPR

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“The Christophers is largely a comedy, but it’s also about all that we gain and lose with age, and about how we sometimes need young people to bring us back to ourselves.” – Stephanie Zacharek, TIME

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“Go see The Christophers. Show up, and support a tiny, talky experiment that has no relationship to IP or sequels or box-office projection. It’s not a perfect movie, but it’s also never, as Lori grudgingly notes about Julian’s work, uninteresting. And in this cultural moment, that’s an authentic win.” – Elizabeth Weitzman, Time Out

The Christophers is a work of criticism that deftly distinguishes different approaches to criticism.” ­– Justin Chang, The New Yorker 

“Brims with hilarious dialogue, lightly satirical observations of a culture that treats art as a commodity, and satisfying payoffs to a number of story elements planted early on.” – Seth Katz, Slant Magazine

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“The Christophers is a talky, at times incredibly funny, comedy drama with plot reversals that make it feel like it’s on the verge of a thriller. It doesn’t end up there, at least not strictly, but it’s unpredictable enough to never make us entirely sure just where it’s heading.” – Benjamin Lee, Guardian

“There’s no room for anything shy of genius in The Christophers, a crackling original drama about artistic legacy in all its facets, directed by Steven Soderbergh , from a script by Ed Solomon (No Sudden Move) and starring two top-notch English actors of wildly different backgrounds and styles, Ian McKellen and Michaela Coel, at the top of their respective games.” – Peter Debruge, Variety

“With Ian McKellen in superbly crotchety form and Michaela Coel exuding chilly cunning, it’s further proof that Soderbergh remains one of American Cinema’s most inimitable, and adventurous, auteurs. – Nick Schager, The Daily Beast

 

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Rivertown Film is made possible by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature.

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