Upcoming Film

THE QUIET EPIDEMIC, streaming from April 7 through 13

Showing: Streaming continuously 4/7 through 4/13
Title: The Quiet Epidemic
Year: 2022
Country: USA

Genre: ,
Director: ,

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After years of living with mysterious symptoms, a young girl from Brooklyn and a Duke University scientist are diagnosed with a disease said to not exist: Chronic Lyme disease. The Quiet Epidemic follows their search for answers, which lands them in the middle of a vicious medical debate. What begins as a patient story evolves into an investigation into the history of Lyme disease, dating back to its discovery in 1975. A paper trail of suppressed scientific research, and buried documents reveals why ticks – and the diseases they carry – have been allowed to quietly spread around the globe. USA, 2022, 101 minutes.

Lyme disease is a potentially debilitating and sometimes fatal infection caused by bacteria transmitted through the bite of an infected tick to people and pets. Nearly half a million (476,000) or more new cases of Lyme disease are diagnosed each year in all 50 states of the U.S.  Due to the difficulty in diagnosing and treating Lyme disease, more than two million people suffer from its debilitating later stage symptoms. Researchers have found that Lyme disease costs the U.S. healthcare system between $712 million and $1.3 billion a year.

Tickets are $13, and $9 for members of Rivertown Film. Once you pay for your tickets you will have 72 hours to start watching. When you start watching you will have 4 days to finish. To purchase a ticket you will be asked for your email address and a password. Please save your password! You’ll use it for future ticket purchases. If you experience any problems please click on “need help?” on the order page. It will bring up an FAQ page with typical questions (and instructions for viewing on your television) and will also offer very useful “live chat support.” Please use it if needed. We at Rivertown Film do not have access to the ticketing software and cannot help. “Live chat support” will help you!

JOIN A ZOOM DISCUSSION with filmmakers Lindsay Keys and Winslow Krane-Murdoch moderated by Rockland Organized for a Sustainable Aquifer founder and director of Running Wild, Suzanne Mitchell, on Tuesday, April 11 at 6:00pm. Registration is required, HERE.

“Through its masterful storytelling, The Quiet Epidemic does what any good investigative doc should do – it informs, infuriates, breaks your heart, and fills you with hope that there is still time to raise awareness and procure the funds necessary to deliver a cure for all those suffering with this wretched disease. ” – Awards Daily

“This enraging, exhaustive and entirely terrifying documentary examines the staggering number of lives left to waste due to myriad complications concerning an agreement, by the global medical community, that Lyme disease should not be considered a chronic condition.” – Midwest Film Journal

“An exhaustive and compellingly researched deep dive into the controversies around Lyme disease, from flawed tests and a discontinued vaccine, to insurance companies that have heavily influenced policy around treatments.” – The Joy of Movies

“What begins as a patient story, evolves into an investigation into the history of Lyme disease, dating back to its discovery in 1975. A paper trail of suppressed scientific research and buried documents reveal why ticks—and the diseases they carry—have been allowed to spread quietly around the globe.” – pr.com

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“A film that could have settled for being a masterclass in technique, but instead goes deeper, exploring questions of artistry, authorship, legacy.” NPR

“Had The Christophers just been a cross-generational punch-up, the sort of flinty showdown designed to throw off pleasurable sparks, you’d still walk away content. It remains a conduit for two of the best performances you’ll see all year.” – David Fear, Rolling Stone

“The Christophers is largely a comedy, but it’s also about all that we gain and lose with age, and about how we sometimes need young people to bring us back to ourselves.” – Stephanie Zacharek, TIME

“Having lost the inspiration that guided him to greatness, Julian is an artist who can no longer paint, and Lori is an artist who has lost all confidence in there being a place for her work in the larger world. For all the undercurrents about fame, commodification, and reputation that flow through The Christophers, at its core is a more plaintive lament about what it feels like to love something that doesn’t love you back.” – Alison Willmore, Vulture

“Go see The Christophers. Show up, and support a tiny, talky experiment that has no relationship to IP or sequels or box-office projection. It’s not a perfect movie, but it’s also never, as Lori grudgingly notes about Julian’s work, uninteresting. And in this cultural moment, that’s an authentic win.” – Elizabeth Weitzman, Time Out

The Christophers is a work of criticism that deftly distinguishes different approaches to criticism.” ­– Justin Chang, The New Yorker 

“Brims with hilarious dialogue, lightly satirical observations of a culture that treats art as a commodity, and satisfying payoffs to a number of story elements planted early on.” – Seth Katz, Slant Magazine

“In the end, this film about artists becomes a work of art in its own right. The more you look at it, the more its many components reveal themselves to you.” – Chase Hutchinson, The Wrap

“Ian McKellen plays Julian Sklar, a sardonic art legend who meets his intellectual match in frank preservationist Lori Butler (Michaela Coel). In a test of wits and wills held mostly in a single-setting, Soderbergh pushes both characters to return to their former passions through philosophical conversations that reflect his own career.” – Robert Daniels, Screen International

“It bats about ideas pertaining to art, commerce, ownership and legacy with dexterous aplomb and boasts two equally superb leads who make the material crackle.” – David Rooney, The Hollywood Reporter

“The Christophers is a talky, at times incredibly funny, comedy drama with plot reversals that make it feel like it’s on the verge of a thriller. It doesn’t end up there, at least not strictly, but it’s unpredictable enough to never make us entirely sure just where it’s heading.” – Benjamin Lee, Guardian

“There’s no room for anything shy of genius in The Christophers, a crackling original drama about artistic legacy in all its facets, directed by Steven Soderbergh , from a script by Ed Solomon (No Sudden Move) and starring two top-notch English actors of wildly different backgrounds and styles, Ian McKellen and Michaela Coel, at the top of their respective games.” – Peter Debruge, Variety

“With Ian McKellen in superbly crotchety form and Michaela Coel exuding chilly cunning, it’s further proof that Soderbergh remains one of American Cinema’s most inimitable, and adventurous, auteurs. – Nick Schager, The Daily Beast

 

Thank you to our funders

Rivertown Film is made possible by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature.

Corporate Sponsorship is provided by the following:

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O jogo móvel tem vindo a crescer há vários anos. Naturalmente, os melhores casinos online também reagem à tendência e fornecem-lhe várias aplicações ou websites móveis. Nesta página, dedicamo-nos especificamente às últimas e mais populares opções de jogos móveis que são oferecidas no mundo dos casinos em linha. No teste encontrará toda a informação sobre aplicações para dispositivos Android e iOS, assim como websites móveis.
Cada casino móvel Português tem a sua própria forma de "fornecer" aos jogadores slots móveis e clássicos. Alguns dependem de aplicações especiais para smartphones Android, bem como para iPhones ou mesmo iPads. Geralmente, os pequenos programas funcionam nos telemóveis correspondentes, mas também é maravilhoso jogar em movimento com um tablet.
Outras empresas, contudo, juram pelos sites da HMTL5. Este é, por assim dizer, o casino original com quase todo o portfólio em forma comprimida. Ambas as variantes têm vantagens, pelo que no final terá de decidir por si próprio qual a solução que melhor se adapta a si e às suas necessidades. HTML5 é sempre adequado se utilizar um smartphone ou tablet com sistemas que não os mencionados - Windows, por exemplo. Para este software, muito poucos casinos online desenvolveram até agora aplicações especiais. Assim, a coisa mais fácil a fazer é chamar o URL do casino e depois beneficiar da oferta de jogos móveis directamente no browser.
Em princípio, isto deve funcionar sempre sem problemas nos dispositivos actuais. O desempenho na área dos jogos móveis está a melhorar visivelmente, de modo que esta opção de jogo dificilmente é inferior à do casino com navegador no PC de casa. É claro que não se pode jogar apenas gratuitamente em movimento. Os sites HTML5 são, no final, algo como a forma pequena do grande casino. Isto significa que iniciar sessão e jogar para obter ganhos reais é tão fácil na estrada como em casa, no ambiente de trabalho. A única diferença é, evidentemente, a resolução mais pequena, e é aqui que o trigo é separado do joio.

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